CutBank, "Against Berryman" and "Against Myself" (forthcoming 2025)

Bennington Review, "Horror Novel" and "Time's Novel" (forthcoming 2025)

DIAGRAM, "Lovebug" and "The Pizza Guy" (forthcoming 2025)

Dunce Codex, "The Hero of Pickle Ball", "Bag of Hammers", and "Turtle Brain" (winter 2024)

Afternoon Visitor, "Ginger Ale," "Serving the Poet," "Eve," and "Star Talk" (fall 2024)

Belt Magazine, "OPEN" (fall 2024)

BRINK, "Creature, the Novel" and "Mary Ruefle's Novel" (fall 2024)

The Drift, "Bridge for Sale" (spring 2024)

Phoebe Journal, "Snow" (January 2024)

Denver Quarterly, "Emily Dickinson"and "Buoyant Now Where Time Is Love" (Spring 2022)

Washington Square Review, "Baby, It's Cold Inside"and "The Stems" (Winter 2022)

Fence, "A Standard Horse" (May 2022)

Volume Poetry, "Fortune in Blue 0" (May 2022)

marrow magazine, "Modern Love,""I'm a Bitch," and"The Book of Love" (March 2022)

Hobart, "Jen Frantz" (February 2022)

Hot Pink Magazine, "Led Zeppelin" (January 2022)

The Spotlong Review, "Fortune in Blue 3, 44" (December 2021)

Pinwheel, "Pretty Lard" and "Rotten Landing" (August 2021)

Pan Pan Press, "Fortune in Blue 25" (July 2021)

Brooklyn Review, "Why Fred Sandback Makes Me Cry," "Motivational Poster," and "Manic Pixie Nightmare" (May 2021)

Ethel, "Door-to-Door"(April 2021)

Oxford Review of Books, "Horoscope" and "I Want It That Way" (July 2021)

HASH Journal, "The Tunnel of Love" (April 2021)

mawth magazine, "Area 51" and "Compact Disc" (January 2020)

Afternoon Visitor, "Pink Lasso," "Insert Romance," and "Hospital Poem" (September 2020)

Sporklet, "Close Reading" (September 2020)

Soft Punk, "The Pear I Give," "Gemini Season," and "Tuesday?" (April 2020)

Peach Mag, "Science Fiction" and "The Sylvia Plath Effect" (September 2019)

Prelude, "The Legend Goes, Went, Is Gone"  (April 2019)